Bourne prints in the "Royalty and aristocracy" category
Anne: from the statue by Rysbrack at Blenheim House Attribution on print:"Engraved by H. Bourne" Size of Bourne engraving: 3.4 x 6.7 in (8.7 x 16.9 cm) Estimated date engraved: before 1882 Source of print: Pictures and Royal Portraits Illustrative of English and Scottish History: from the introduction of Christianity to the present time, Volume 2, page 52 by Thomas Archer Printed by: Blackie & Son Title of source painting: unknown Painter: J.L. Williams Probable date of source painting: unknown Current location of painting: unknown Rarity 4 based on sales appearances (on a scale of 1 to 8). This print is somewhat common (offered about three times per year).
| |||||
Charles I Attribution on print:"Engraved by H. Bourne" Size of Bourne engraving: 3.3 x 6.4 in (8.5 x 16.3 cm) Estimated date engraved: before 1878 Source of print: Pictures and Royal Portraits Illustrative of English and Scottish History: from the introduction of Christianity to the present time, Volume 1, page 152 by Thomas Archer Printed by: Blackie & Son Title of source painting: unknown Painter: J. L. Williams after painting by Anthony van Dyke Probable date of source painting: unknown Current location of painting: unknown Rarity 5 based on sales appearances (on a scale of 1 to 8). This print is somewhat scarce (offered about one time per year).
| |||||
Charles I in the Guard-Room, Insulted by the Soldiers of Cromwell, Jany. 27th 1649 Attribution on print:"Engraved by H. Bourne" Size of Bourne engraving: 6.7 x 4.8 in (16.9 x 12.2 cm) Estimated date engraved: before 1878 Source of print: Pictures and Royal Portraits Illustrative of English and Scottish History: from the introduction of Christianity to the present time, Volume 1, page 168 by Thomas Archer Printed by: Blackie & Son Title of source painting: The King in the Guard-Room, with villainous roundhead soldiers blowing tobacco smoke in his patient face Painter: (Hippolyte) Paul Delaroche Probable date of source painting: 1838 Current location of painting: unknown Note: The painting was originally purchased by Lord Francis Edgerton and was in the Bridgewater Gallery in 1886. Rarity 7 based on sales appearances (on a scale of 1 to 8). This print is very scarce (offered about one time every five years).
| |||||
Charles II Attribution on print:"Engraved by H. Bourne" Size of Bourne engraving: 3.7 x 6.7 in (9.4 x 16.9 cm) Estimated date engraved: before 1882 Source of print: Pictures and Royal Portraits Illustrative of English and Scottish History: from the introduction of Christianity to the present time, Volume 2 by Thomas Archer (immediately before title page) Printed by: Blackie & Son Title of source painting: unknown Painter: J.L. Williams after the portrait by Sir Godfrey Kneller Probable date of source painting: unknown Current location of painting: unknown Rarity 5 based on sales appearances (on a scale of 1 to 8). This print is somewhat scarce (offered about one time per year).
| |||||
Charles II in Disguise Aided in His Escape by Jane Lane after the Battle of Worcester, 1651 Attribution on print:"Engraved by H. Bourne" Size of Bourne engraving: 6 x 5.1 in (15.3 x 13 cm) Estimated date engraved: before 1878 Source of print: Pictures and Royal Portraits Illustrative of English and Scottish History: from the introduction of Christianity to the present time, Volume 1, page 182 by Thomas Archer Printed by: Blackie & Son Title of source painting: Jane Lane assisting Charles II to escape after the battle of Worcester, 1651 Painter: Edward Matthew Ward Probable date of source painting: 1864 Current location of painting: Commons' Corridor of the Houses of Parliament Note: This artist is sometimes referenced as Edgar Melville Ward, but is clearly in disagreement with the 1854 edition of Civil Engineer and Architect's Journal. vol 17. The original painting is known by several additional titles including: 2) Charles II and Jane Lane ; 3) Jane Lane helping Charles II to escape after the Battle of Worcester; 4) Jane Lane assisting the flight of Charles II; 5) Charles II assisted in his escape by Jane Lane Rarity 5 based on sales appearances (on a scale of 1 to 8). This print is somewhat scarce (offered about one time per year).
| |||||
Chevalier de St George: son of James VII Attribution on print:"H. Bourne" Size of Bourne engraving: 3.9 x 5 in (10 x 12.7 cm) Estimated date engraved: unknown Source of print: Imperial Gazetteer of Scotland Printed by: unknown Title of source painting: Portrait of Prince James Francis Edward Stuart Painter: Alexis Simon Belle (unattributed on engraving) Probable date of source painting: 1712 Current location of painting: National Portrait Gallery Rarity 5 based on sales appearances (on a scale of 1 to 8). This print is somewhat scarce (offered about one time per year).
| |||||
The Crown Offered to William and Mary by the Lords and Commons at Whitehall, Feby 12th, 1689 Attribution on print:"H. Bourne" Size of Bourne engraving: 6.1 x 5.1 in (15.4 x 13 cm) Estimated date engraved: before 1882 Source of print: Pictures and Royal Portraits Illustrative of English and Scottish History: from the introduction of Christianity to the present time, Volume 2, page 44 by Thomas Archer Printed by: Blackie & Son Title of source painting: unknown Painter: Edward Matthew Ward Probable date of source painting: 1866 Current location of painting: Houses of Parliament corridor Note: The 1854 edition of The Civil Engineer and Architect's Journal clearly refers to the artist as Edward M. Ward (as opposed to Edgar Melville Ward) and the title as The Lords and Commons presenting the Crown to William and Mary in the Banquetting House. Rarity 4 based on sales appearances (on a scale of 1 to 8). This print is somewhat common (offered about three times per year).
| |||||
The Family of Charles I Attribution on print:"H. Bourne, Sculpt." Size of Bourne engraving: 9.4 x 7.7 in (24 x 19.6 cm) Estimated date engraved: about 1853 Source of print: This print from the Art Journal, June, 1858. Probably first appeared in Royal Gallery of Art, Ancient and Modern: Engravings from the Private Collection of Her Majesty the Queen and His Royal Highness Prince Albert, edited by Samuel Carter Hall, 2 vol., London, Virtue & Co., 1854. Printed by: James S. Virtue Title of source painting: unknown Painter: Anthony van Dyck Probable date of source painting: unknown Current location of painting: unknown Note: The Royal Museum acquired a copy of the Agnew print in 1861. Rarity 5 based on sales appearances (on a scale of 1 to 8). This print is somewhat scarce (offered about one time per year).
| |||||
Henrietta of Orleans Attribution on print:"H. Bourne, Sculpt." Size of Bourne engraving: 7.8 x 10.1 in (19.7 x 25.6 cm) Estimated date engraved: about 1852 Source of print: This engraving from the Art Journal, October, 1860 by Virtue & Co. Printed by: Virtue & Co. Title of source painting: Elizabeth Charlotte, Princess Palatine, Duchess of Orleans with her son Philip, and her daughter, Elizabeth Painter: Pierre Mignard Probable date of source painting: ca 1678-1688 Current location of painting: The Royal Collection Note: Painting referenced in Handbook to the Public Galleries of Art in and Near London as 'Henrietta Duchess of Orleans, youngest Daughter of Charles I.' The British Museum acquired a copy of the Agnew print in 1861. The original painting was lent by Queen Victoria to an exhibition at the British Institution in 1822 and 1834. Rarity 4 based on sales appearances (on a scale of 1 to 8). This print is somewhat common (offered about three times per year).
| |||||
King Alfred Inciting the Anglo-Saxons: to Repel the Invasion of the Danes, A.D. 876 Attribution on print:"Engraved by H. Bourne" Size of Bourne engraving: 7.1 x 4.2 in (18.1 x 10.6 cm) Estimated date engraved: before 1878 Source of print: Pictures and Royal Portraits Illustrative of English and Scottish History: from the introduction of Christianity to the present time, Volume 1, page 24 by Thomas Archer Printed by: Blackie & Son Title of source painting: King Alfred Inciting the Saxons to Prevent the Landing of the Danes Painter: George Frederic Watts Probable date of source painting: 1847 Current location of painting: Committee rooms of the Houses of Parliament Rarity 5 based on sales appearances (on a scale of 1 to 8). This print is somewhat scarce (offered about one time per year).
| |||||
Lady Jane Grey Declining the Crown Attribution on print:"H.K. Bourne" Size of Bourne engraving: 4.4 x 6.1 in (11.3 x 15.5 cm) Estimated date engraved: unknown Source of print: unknown Printed by: unknown Title of source painting: unknown Painter: Robert Smirke Probable date of source painting: 1793 Current location of painting: unknown Note: Another engraving of this painting by W. Bromley seems relatively common. Rarity 3 based on sales appearances (on a scale of 1 to 8). This print is common (offered about 6 times per year).
| |||||
Lady Jane Grey's Reluctance to Accept the Crown, July 8th, 1553 Attribution on print:"Engraved by Herbert Bourne" Size of Bourne engraving: 6.4 x 4.6 in (16.3 x 11.8 cm) Estimated date engraved: before 1878 Source of print: Pictures and Royal Portraits Illustrative of English and Scottish History: from the introduction of Christianity to the present time, Volume 1, page 108 by Thomas Archer Printed by: Blackie & Son Title of source painting: unknown Painter: Charles Robert Leslie Probable date of source painting: 1827 Current location of painting: unknown Note: Source painting originally in the collection of the Duke of Bedford at Woburn Abbey. The National Portrait Gallery records one example of this engraving in its collection. Rarity 5 based on sales appearances (on a scale of 1 to 8). This print is somewhat scarce (offered about one time per year).
| |||||
The Most Noble The Marquis of Hastings Attribution on print:"H. Bourne" Size of Bourne engraving: 4.1 x 5 in (10.5 x 12.8 cm) Estimated date engraved: unknown Source of print: unknown Printed by: James S. Virtue Title of source painting: unknown Painter: Sir Martin Arthur Shee Probable date of source painting: unknown Current location of painting: unknown Rarity 6 based on sales appearances (on a scale of 1 to 8). This print is scarce (offered about one time every two years).
| |||||